A Contribution from Ian

 

 

 

Garlic soup with sour cream

8 cloves garlic, crushed (more if you wish)

55 g (2 oz) butter

115 g (4 oz) plain flour

Thyme or marjoram, crushed

Pinch salt and pepper

1.8 litres (3 pints) beef broth or vegetable stock

Sour cream

Chopped chives

1.In a cauldron, carefully cook the garlic in the butter, being careful 

not to allow it to brown. 2.Stir in the flour, herb, salt and pepper; 

heat until bubbling. 3.Gradually add the broth or stock, stirring all 

the time to prevent anything sticking to the cauldron. 4.Bring to the 

boil and cook for one minute. 5.Serve hot or cold, with a dollop of sour 

cream and some sprinkled chives. 


"Bountiful Harvest" © SuperStock, Inc.

 

 

Buttered worts (greens)

This recipe uses any greens or onions you may have to hand.

0.9-1.35 kg (2-3 lb) of any mixed greens (cabbage, spinach, etc.)

2-3 leeks and/or onions

Salt

A few crushed juniper berries (optional)

55 g (2 oz) butter (or more) 

1.Blanch the vegetables in boiling, salted water for 3-4 minutes - no 

more. 2.Drain and squeeze out excess water. Add the juniper berries if 

they are being used. 3.Place the mixture in a pan with the butter and 

120 ml (about half a cup) of water. Stir and leave on a low heat for 

another five minutes. 4.Salt to taste and serve. 



If buttered worts are to be served on their own, toasted or fried bread 

cubes or crispy bacon pieces are a good topping.



Elderflower cheese pie

This dish - which can only be made in a house that has an oven - would 

grace any Eorl's table!

4 clusters of elder blossoms

Pastry to line a pie dish

340 g (12 oz) cottage cheese

120 ml (4 fl. oz) pale honey

120 ml (4 fl. oz) fine white breadcrumbs

4 egg whites 

1.Keep the blossoms fresh in water or pick just before using. 2.Prepare 

the pie dish by lining it with pastry. 3.Beat together the cottage 

cheese, honey, breadcrumbs and egg whites. 4.Add the blossoms stripped 

from the stems. 5.Put the mixture into the pie case and bake in a 

moderate oven for about 45 minutes. 



This is wonderful either hot or cold.



Mustard herrings poached in apple wine


The following ingredients are enough for one person. Multiply them to 

match the number you are feeding.

1 fresh herring fillet per person

1 sharp-tasting apple, sliced (a Bramley would be good)

1 onion, sliced

Prepared mustard (Dijon is very good with this)

Enough apple wine to cover the rolled herring (dry cider may be used 

instead)

Salt and pepper to taste 

1.Spread mustard on one side of the herring fillet. Season with salt and 

pepper and add a small slice of onion. Roll up the fillet starting from 

the tail end. Secure the roll with a little stick (a cocktail stick will 

do). 2.Place the prepared fillet in a pan and cover with the wine or 

cider. 3.Cook gently, adding the apple slices a few minutes before the 

fish is ready. 4.Carefully remove the apple slices from the pan and 

distribute them equally on a dish. Top the slices with the fillet. 



This dish may be eaten hot or cold. More mustard may be served as a 

sauce.



Eggs with green leaf purée

Sufficient eggs for those who are eating

Young green 'worts' (see above) - nettles, sorrel, spinach, sow thistle 

or dandelion or a mixture of these

Salt 

1.Hard boil or scramble the eggs. 2.Quickly boil the tops of the chosen 

plants in salted water until tender. 3.Drain the greens and chop finely.

4.Serve the eggs with the green puréed sauce. 



Please note: sorrel and sow thistle can be bitter so change the water 

after about five minutes.

 



Spit roast pork

Sufficient boned pork to serve your guests (loin is best but shoulder 

would be good, too)

Crushed garlic to taste

A few juniper berries, crushed

Pepper and salt 

If possible, prepare the meat the night before. The flavours develop 

better when given time. (Some 20th-century butchers will stuff the pork 

for you if you provide the spices. They will then roll and tie it, ready 

for the spit or oven.) 

1.Lay the pork flesh uppermost and divide the crushed garlic and juniper 

berries evenly over the meat. 2.Roll up the meat and secure with skewers 

or heavy thread. 3.Place the meat on the spit and rub in a little salt 

to taste. Sear the meat over a good heat long enough to seal the 

outside. 4.Spread the fire to give a medium heat, turning and cooking 

the meat until the juices run clear and the skin has turned to golden 

crackling. 5.Rest on a board for 15 minutes before carving. 



Buttered worts (see above) are a good accompaniment.


Cherry bread pudding

475 ml (16 fl. oz) fresh cherries (or 590 ml/20 fl. oz tin of cherry pie 

filling)

300 ml (10 fl. oz) red wine

1-1.4 litres (32-48 fl. oz) brown breadcrumbs

120 ml (4 fl. oz) clear honey

Single cream (optional) 

1.Stone and cook the cherries in the red wine until tender; leave to 

cool. (Omit this step if you are using tinned pie filling.) 2.Mix the 

cherries with the other ingredients until all the flavours are evenly 

distributed. 3.Serve as it is or with cream. 



Cheese platter

The Anglo-Saxons do not appear to have made hard cheeses such as Cheddar 

and the like. To provide a cheese platter, use soft cheeses; goat's- and 

ewe's-milk cheeses were common, perhaps flavoured with herbs. Soft 

crumbly cheese such as Caerphilly can also be used. As the Anglo-Saxons 

knew about smoking and preserving in brine, modern cheeses made in this 

way may be useful too.

Serve the cheese on a platter or in a basket lined with leaves (vine 

leaves if possible), accompanied by fruit, fresh or dried.

Bread

Each guest at a banquet (or any meal) will have a small - 20-25 cm (8-10 

in) diameter - mixed grain round loaf. If the feast-giver is really out 

to impress, all the loaves will be white.


"Off the Vine" © Vividline, Inc.
Drinks

In the literature, there are references to ale and fermented fruit 

drinks including cider and wine.

Mead is served at the end of the meal, often by the feast-giver's 

daughter or other attractive member of the household. As the horn of 

mead is taken round the table, the first person to drink is the 

feast-giver and the last is the most honoured guest (perhaps because, by 

then, if anything is wrong with the contents, it will be noticed and the 

honoured guest will be saved!). A toast is made by each guest before 

they drink.

This is known as the 'passing of the mead cup' and the end of its 

journey round the table is the signal that the official part of the 

feast is over.

And here is a little article on Anglo-Saxon etiquette

Anglo-Saxon feasts and etiquette

This article was abridged and adapted from Ann Hagen's book A Handbook 

of Anglo-Saxon Food: Processing and consumption published at £8.95 by 

Anglo-Saxon Books [www.englisc.demon.co.uk], Frithgarth, Thetford Forest 

Park, Hockwold-cum-Wilton, Norfolk IP26 4NQ.

The period covered by Ann Hagen is AD 400 to about 1100.

Feasts in hall offered a variety of sense impressions - taste, smell, 

warmth, music and entertainment, the play of light on tableware, the 

colours of hangings, the clothes of the guests. Companionship, a 

confirmation of one's position in the community, reward, the chance to 

drink and escape day-to-day concerns were all part and parcel of 

feasting, and the potent appeal of the feast derives in part from them, 

as well as from the rich and plentiful food.


"Natural Goodness" © SuperStock, Inc.
T
he function of feasting

Although the feast was not primarily a gastronomic event but a ritual - 

with religious, aesthetic, legal and societal ramifications - the 

provision and consumption of food and drink was central. The 'chieftain' 

provided food and drink that was prestigious in kind and plentiful in 

quantity ...

The function of royal feasts was to emphasise the ruler's power and, 

through a lavish display of wealth, attract followers and supporters. 

Those who partook of the feast were declaring or confirming their 

obligations to the provider. In return for sustenance, they were pledged 

to fight to the death for him, sustaining him in his position of power, 

but also obliging him to continue to provide well for them ...

A noble king not only provided amply for his retainers, but created a 

splendid occasion - an image of plenty and assured harmony in a world 

where shortage, uncertainty and conflict were the experience of many. 

The feast retained its symbolism as a unifying force, even when the 

guests were not dependent on the king for sustenance and support.

... People apart from the king had the resources for a social life that 

included feasting. The visit of guests was celebrated with a feast, 

though if the king was the visitor, the royal provisioners would arrive 

the day before to see everything was ready and suitable. The king could 

not have his status compromised by attending a feast at which the 

supplies were insufficiently lavish, or the mead might run out.

Sometimes the guests may have been visiting specifically to consume the 

food, payable as the 'food rent'.

Most people probably arranged feasts for special occasions, which could 

be personal - celebrating the arrival of a guest, celebrating or 

commemorating rites of
there was a hall about 22.9 m long dating from the mid-9th century.

Other business was also carried on in the hall at mealtimes, so that 

Harold might receive news of William's landing when he was dining at 

York, and when Cnut was at table in hall at the end of a feast, a crowd 

of petitioners occupied his ear, while a bard wanted to sing him a poem 

he had just composed. In these circumstances, it is not surprising that, 

although communal feasting in hall continued, in the late period we hear 

that the lady of the household, and sometimes the lord, retired to a 

private room to eat. Some people were no doubt grateful for their 

entitlement to sleep in the hall after the feast.

"Heard it Through the Grapevine" © Vividline, Inc.

Hangings and table-linen< wine 

through the delicate and expensive sieve spoons that indicated their 

status and were buried with them. Women's graves also contained bucket 

pendants, which perhaps symbolised the female role as servers of drink, 

though buckets were more likely to have been used as intermediate 

vessels for the serving of mead, beor or ale, rather than wine, which 

was imported in flasks or casks. Female servants who held the office of 

'cup-bearer' are referred to in the 7th-century laws of Ethelbert, since 

an eorl was entitled to 12 shillings' compensation if anyone slept with 

his cup-bearer; a ceorl was entitled to half this amount. What had 

traditionally been a female role would, of course, have to be filled by 

a man in a monastic household. However, it seems that, towards the end 
The scene of feasting was the great hall, furnished with trestle tables 

and benches, and guarded by door-keepers who turned away gate-crashers 

and prevented anyone from entering while the meal was in progress ... 

The archaeological record provides much evidence of halls - e.g. one of 

these at Yeavering was over 24.4 m (80 ft) long and 12.2 m (40 ft) wide 

and the walls were white-plastered on the inside, while at Cheddar, 

there was a hall about 22.9 m long dating from the mid-9th century.

Other business was also carried on in the hall at mealtimes, so that 

Harold might receive news of William's landing when he was dining at 

York, and when Cnut was at table in hall at the end of a feast, a crowd 

of petitioners occupied his ear, while a bard wanted to sing him a poem 

he had just composed. In these circumstances, it is not surprising that, 

although communal feasting in hall continued, in the late period we hear 

that the lady of the household, and sometimes the lord, retired to a 

private room to eat. Some people were no doubt grateful for their 

entitlement to sleep in the hall after the feast.

"Heard it Through the Grapevine" © Vividline, Inc.

Hangings and table-linen

Hangings, sometimes interwoven with gold, were used to decorate halls 

from early in the period. Tablecloths were in use, at least on the 

Continent, by the early 9th century. Table napkins, known of by the 8th 

century, were certainnbsp;

enjoe rest of the guests, serving them all until dinner was 

finished.

In the early period, high-born women perhaps poured imported wine 

through the delicate and expensive sieve spoons that indicated their 

status and were buried with them. Women's graves also contained bucket 

pendants, which perhaps symbolised the female role as servers of drink, 

though buckets were more likely to have been used as intermediate 

vessels for the serving of mead, beor or ale, rather than wine, which 

was imported in flasks or casks. Female servants who held the office of 

'cup-bearer' are referred to in the 7th-century laws of Ethelbert, since 

an eorl was entitled to 12 shillings' compensation if anyone slept with 

his cup-bearer; a ceorl was entitled to half this amount. What had 

traditionally been a female role would, of course, have to be filled by 

a man in a monastic household. However, it seems that, towed candles, shining tableware. But, aesthetic 

enjoe rest of the guests, serving them all until dinner was 

finished.

In the early period, high-born women perhaps poured imported wine 

through the delicate and expensive sieve spoons that indicated their 

status and were buried with them. Women's graves also contained bucket 

pendants, which perhaps symbolised the female role as servers of drink, 

though buckets were more likely to have been used as intermediate 

vessels for the serving of mead, beor or ale, rather than wine, which 

was imported in flasks or casks. Female servants who held the office of 

'cup-bearer' are referred to in the 7th-century laws of Ethelbert, since 

an eorl was entitled to 12 shillings' compensation if anyone slept with 

his cup-bearer; a ceorl was entitled to half this amount. What had 

traditionally been a female role would, of course, have to be filled by 

a man in a monastic household. However, it seems that, towards the end 
for obvious reasons, a desirable position.

Retainers

Guests seem to have been allowed to bring companions to a feast. A guest 

who arrived with a large retinue assumed his host had considerable 

resources. If anyone brought a fotsetla to a feast of the Cambridge 

Thegns' Guild, he was to pay a sester of honey. Whatever sort of 

retainer the fotsetla was (and he could have been a minstrel, since 

these are recorded as sitting at the feet of their lords, or even a 

foot-warmer such as the Welsh king had), in the context of a guild feast 

where the members had to provide the food and drink, he was to be paid 

for.

Servants

The emphasis on those who 'sat to' the feast was perhaps because sitting 

down was a privilege in itself, for some of those present at a feast, 

including the servers, were not entitled to sit. One such was the 

unfortunate apparitor of the Welsh laws, who, though a court official, 

was not allowed to sit while the king was eating and drinking in hall 

'lest the house be burnt while the king is at meat'. At a great feast, 

the servants had to 'scurry to and fro ... speed on their tasks'. What 

they might be doing is shown in manuscript illustrations - bringing food 

on spits from the kitchen and kneeling with it in front of the diners 

who then helped themselves, servicing drink, etc.

Almost all the evidence as to who served food comes from Celtic sources 

and indicates that men were in charge of the great hall and the serving 

of food in large establishments. Rank was observed among servants too; 

high-ranking servants served diners of high status. It is possible that 

men served men with food, and women served women.

On occasion it seems to have been the women who served the drink to men 

at feasts. The Gnomic Verses outline the duties of a queen:

Always everywhere before the band of comrades at the mead-drinking, she 

shall first of all greet the protector of the nobles, quickly offer the 

first cup to her lord's hand, and know good counsel.

In Beowulf, it is the queen who offers the cup to Hrothgar and his 

guest. The wife of a noble who was cured of an illness was then well 

enough to carry out her duties as hostess and brought the cup to the 

bishop and the rest of the guests, serving them all until dinner was 

finished.

In the early period, high-born women perhaps poured imported wine 

through the delicate and expensive sieve spoons that indicated their 

status and were buried with them. Women's graves also contained bucket 

pendants, which perhaps symbolised the female role as servers of drink, 

though buckets were more likely to have been used as intermediate 

vessels for the serving of mead, beor or ale, rather than wine, which 

was imported in flasks or casks. Female servants who held the office of 

'cup-bearer' are referred to in the 7th-century laws of Ethelbert, since 

an eorl was entitled to 12 shillings' compensation if anyone slept with 

his cup-bearer; a ceorl was entitled to half this amount. What had 

traditionally been a female role would, of course, have to be filled by 

a man in a monastic household. However, it seems that, towards the end 

of the period, high-born women were eating with the men at feasts and 

were not required as servers.

Blessing food and breaking bread

Hrothgar simply invites Beowulf to sit down and enjoy the feast, after 

the food was blessed before the eating started. After grace, the most 

important guest seems to have broken the bread or divided the food.

Manners

By the end of the period, table manners were a matter of concern and 

interest to some. It was not considered polite to gulp down or gobble 

your food, for which the perjorative word fretan is used. It was also 

employed to show that it was not the done thing to pick up and eat any 

morsel of food that had fallen on the floor:

When a chunk of food slips from the hand of one of these clever men, he 

spots it in the light, bends down to pick it up, blesses it, covers it 

with seasoning and actually consumes it.

At Coppergate in York, the evidence from the faecal layers - which 

contained fruit stones, apple core fragments and fish bones - is that 

food was bolted, or at least eaten in uninhibited fashion. There is no 

way of knowing whether hunger was the reason for these foods being 

bolted, or whether this method of eating was habitual to the inhabitants 

of Viking York.

The food

It seems that feast-day food was anticipated with dinary bread was probs not generally acceptable to leave 

before the end of a feast. Some banquets seem to have continued 

overnight. St Eligius exhorted people - ineffectually as it turned out - 

not to make feasts lasting all night nor to indulge in intemperate 

drinking on the Calends of January. The three-day feast seems to have 

been the standard for any great celebration.

The drink

It is clear from the references to feasting that drink was as important 

as the food. Ealu (ale), beor (probably fermented fruit-based drinks, 

including cider), meodu (mead) and win (wine) are the four drinks 

frequently mentioned ...The over-riding concern was that there should be 

plenty of drink.

Drunkenness

The consumption of unlimited quantities of alcohol tended to militate 

cified for 

funeral feasts; ordinary bread was probs not generally acceptable to leave 

before the end of a feast. Some banquets seem to have continued 

overnight. St Eligius exhorted people - ineffectually as it turned out - 

not to make feasts lasting all night nor to indulge in intemperate 

drinking on the Calends of January. The three-day feast seems to have 

been the standard for any great celebration.

The drink

It is clear from the references to feasting that drink was as important 

as the food. Ealu (ale), beor (probably fermented fruit-based drinks, 

including cider), meodu (mead) and win (wine) are the four drinks 

frequently mentioned ...The over-riding concern was that there should be 

plenty of drink.

Drunkenness

The consumption of unlimited quantities of alcohol tended to militate 

against the preserve="3">
Day-long feasts were common. It was not generally acceptable to leave 

before the end of a feast. Some banquets seem to have continued 

overnight. St Eligius exhorted people - ineffectually as it turned out - 

not to make feasts lasting all night nor to indulge in intemperate 

drinking on the Calends of January. The three-day feast seems to have 

been the standard for any great celebration.

The drink

It is clear from the references to feasting that drink was as important 

as the food. Ealu (ale), beor (probably fermented fruit-based drinks, 

including cider), meodu (mead) and win (wine) are the four drinks 

frequently mentioned ...The over-riding concern was that there should be 

plenty of drink.

Drunkenness

The consumption of unlimited quantities of alcohol tended to militate 

against the preservation of an image of harmony that the feast was 

calculated to further. Men 'drunken with beor renewed old grudges', and 

in extreme cases, the conflict might threaten the king's peace, so this 

had to be protected by severe penalties. Fines for murder committed at a 

feast were much higher than if the act was done at an open grave, when 

feelings might be expected to have been running high.

Gluttony

Although fefeasting 

in hall. Such instruments have been found in the archaeological record.

Professional entertainers, jesters, actors and dancers as well as 

singers and other musicians were employed as part of their establishment 

by those who could afford them. Riddles were asked and stories recited. 

Nostalgia

Most people saw feasting as an infinitely desirable pastime. 

Hagiographers even made use of this fact in their writings. St Agatha 

'went as cheerfully to the dark dungeon as if she were invited to a 

pleasant banquet', though she was perhaps outdone by some brothers who 

'went as gladly to their deaths as to a banquet'. It is the dramatic 

contrast of the feast in the warm hall where the king sits with his 

retainers around him and the cold darkness outside that is drawn on for 

an analogy of human life.

The loss of prosperity evokg this conflict was to dispose of 

the leftovers chPoem says that, when rich, 'guests came and went, mingled their 

talk, lingered over delight, adorned themselves richly.' The Seafarer 

regrets that he hears now 'the cry of the curlew instead of men's 

laughter, the scream of the seagull in place of the mead-drinking'.

The regret for the silent, deserted ruin which was once 'a meadhall full 

of the sounds of music', a place where people had gathered and feasted, 

where the horn was passed round, is found also in the Celtic literature. 

The hall was a centre of companionship: the isolated exile has no one 

'who knows my mind in the meadhall'. It is in The Wanderer that 

nostalgia for the joys of feasting finds its most eloquent expression. 

The lament refers to several essential elements of the noble feast:

The wine-hall crumbles, the walls decay ... Where is now the place of 

feasts? Where are the joys of hall? Alas for the bright cup! Alas for 

the armed warriors, al who miraculously acquired the power to sing] is well known.

Harping must have been a common pastime at feasts since it is used as a 

metaphor for feasting. The poetic epithet for the harp/lyre was 'the 

wood of joy', suggesting an association with the pleasures of feasting 

in hall. Such instruments have been found in the archaeological record.

Professional entertainers, jesters, actors and dancers as well as 

singers and other musicians were employed as part of their establishment 

by those who could afford them. Riddles were asked and stories recited. 

Nostalgia

Most people saw feasting as an infinitely desirable pastime. 

Hagiographers even made use of this fact in their writings. St Agatha 

'went as cheerfully to the dark dungeon as if she were invited to a 

pleasant banquet', though she was perhaps outdone by some brothers who 

'went as gladly to their deaths as to a banquet'. It is the dramatic 

contrast of the feast in the warm hall where the king sits with his 

retainers around him and the cold darkness outside that is drawn on for 

an analogy of human life.

The loss of prosperity evokes nostalgia for feasting. The lord of the 

Rhymed Poem says that, when rich, 'guests came and went, mingled their 

talk, lingered over delight, adorned themselves richly.' The Seafarer 

regrets that he hears now 'the cry of the curlew instead of men's 

laughter, the scream of the seagull in place of the mead-drinking'.

The regret for the silent, deserted ruin which was once 'a meadhall full 

of the sounds of music', a place where people had gathered and feasted, 

where the horn was passed round, is found also in the Celtic literature. 

The hall was a centre of companionship: the isolated exile has no one 

'who knows my mind in the meadhall'. It is in The Wanderer that 

nostalgia for the joys of feasting finds its most eloquent expression. 

The lament refers to several essential elements of the noble feast:

The wine-hall crumbles, the walls decay ... Where is now the place of 

feasts? Where are the joys of hall? Alas for the bright cup! Alas for 

the armed warriors, alas for the might of the nation ...




E-mail: david.iosson@hess.com